T. W. Baldwin
Volume 1
 
© 1944 by the Board of Trustees of the University of Illinois
All rights reserved
PAGES
* PAGE
  GO TO   
 
Previous Page
Next Page
 
CHAPTER
Previous Section,
 
 
TABLE OF CONTENTS
Go to Table of Contents
 
SEARCH
 
 
 
 
 
 
 
 
PRINTABLE
Print a lo-res (150 dpi) PDF image of this page
 
HELP
Get Help    
Volumes Available
  Navigate This Volume


[ About the Books ] [ Volume One ] [ Volume Two ]
[ Search ]
[ Links] [ Home ]


© 2007 by the Board of Trustees of the University of Illinois
All rights reserved

OCRed data provided for searching only.
GENESIS OF jONSON'S APHORISM 5 For we happen to know that Jonson considered Terence small Latin indeed. In the Induction to the Magnetic Lady, Damplay says, You have heard, Boy, the ancient Poets had it in their purpose, still to please this people. Pro. I, their chiefe aime was- Dam. Populo ut placerent: (if hee understands so much.) Boy. tuas fecissent fabulas.) I understand that, sin' I learn'd Terence, i' the third forme at Westminster: go on Sir., A boy who learned Terence in the third form at Westminster was Ben Jonson himself, presumably under the great Camden. Camden ! most reverend head, to whom I owe All that I am in arts, all that I know. Nor was his Terence all that Jonson owed to Camden. Professor Hoyt Hudson calls my attention to the fact that Jonson's master Camden takes the same position toward Sidney and Nature as does his pupil Jonson toward Shakspere. Naturae Genius se mirabatur in vno Sidnaeo, firs, & Mars se mirabantur eodem; Mors etiam mirans haec vidit, & abstulit ilium, Ne terris tantum mirentur numina numen. Sidnaeum defies aetatis flore peremptum, At frustra, fiendi causa nec vila subest. Illius ingenio, virtuti, laudibus aetas Addere nil potuit, nil potuere dies. Ipse fuit quicquid poterat Natura; nec vnquam Tantus erat tanta mente repostus honos 2 And certainly Camden meant no reflection upon Sidney's Art by emphasizing his Nature. No more did Janson in this possible imitation of Camden necessarily mean any reflection upon Shakspere. Because of their known close relationship, it is probable that Jonson is here following Camden, though we must never forget that both are following an already threadbare convention of the time in contrasting Nature and Art. Jonson's comparison of Shakspere with the various classical authors is equally threadbare. For instance, George Turberville used it in his Epitaph on Maister Edwards. "Ye Learned Muses nine" and "Ye Courtyers" are invited to lament. 1 Peck, H. W., The Magnetic Lady, p. 10. ' Enegviae Illvstrisnmi LQLitis, D. Philippi Sidnaei, Gratissimae Memoriae Ac Nomini Impensae (1587, Huntington Copy), pp. B2v-B3r.